William Henry Pyne was an English writer, illustrator, and painter, known for his works on the decorative arts and for his unique style of watercolor painting. Born in 1769 in London, Pyne began his artistic career as a draughtsman, exhibiting at the Royal Academy as early as 1790. He was also a founding member of the Old Water-Colour Society in 1804, an institution that played a crucial role in the recognition of watercolor as a serious artistic medium.
Pyne's work as an artist was varied. He initially made his name as a book illustrator, providing images for works such as 'William Combe's The Tour of Doctor Syntax in Search of the Picturesque' (1812). However, he is best known for his publication 'The Microcosm of London' (1808-1810) which he produced in collaboration with the architect Augustus Charles Pugin. This work was a comprehensive series of illustrations of London's public buildings, institutions, and customs, and it was widely celebrated for its accuracy and attention to detail.
Later in his career, Pyne began to focus more on writing and compiling books about the arts. His most significant work in this area was 'The History of the Royal Residences' (1816-1819), a three-volume set that illustrated and described the various palaces of the British monarchs. The work contained a series of views of royal residences, including Windsor Castle, St. James's Palace, and Carlton House, among others, with the illustrations based on Pyne's own paintings.
Pyne's later years were not as prosperous; he struggled financially and was even imprisoned for debt. Despite this, he continued to write and in 1823, he published 'The Twenty-ninth of May: Rare Doings at the Restoration', which was a collection of anecdotes and illustrations about the restoration of Charles II. William Henry Pyne died in 1843, leaving behind a legacy as a versatile and dedicated chronicler of early 19th-century British culture and design.