Vladimir Becić was a Croatian painter, born on September 29, 1886, in Slavonski Brod, which at the time was part of the Austro-Hungarian Empire. He is considered one of the most prominent figures in Croatian modern painting, particularly known for his role in the development of the early 20th-century art scene in Croatia.
Becić studied at the Academy of Fine Arts in Munich, Germany, which was a popular destination for many Croatian artists during the early 20th century. It was in Munich where he became a member of the artist group known as the Munich Circle, alongside fellow Croatian artists like Josip Račić, Miroslav Kraljević, and Oskar Herman. This group was heavily influenced by contemporary European art movements, particularly Impressionism and Post-Impressionism, which is evident in Becić's early work.
After his studies, Becić traveled extensively, spending time in Paris and visiting various European cities, which further enriched his artistic perspective. Following World War I, he returned to Croatia and became an active part of the art scene. He was one of the founding members of the Medulić Society - an association of artists based in Zagreb.
Becić's body of work is diverse, ranging from landscapes and portraits to genre scenes and nudes. His approach to painting evolved over the years, showing a gradual shift from the dark palette and heavier brushstrokes of his early Munich period to a lighter, more vibrant palette reflective of his exposure to the Parisian art scene. This evolution showcased his ability to assimilate various artistic influences while maintaining a distinct personal style.
During his career, Vladimir Becić also engaged in teaching, which allowed him to influence a younger generation of Croatian artists. His contributions to the Croatian art world were not limited to his own creations but extended through his nurturing of new talent and promotion of contemporary art.
Vladimir Becić passed away on April 24, 1954, in Zagreb, leaving behind a legacy that is celebrated in Croatian culture. His work remains a vital part of the country's artistic heritage and continues to inspire both artists and art lovers around the world.