Thomas Worth was an American artist best known for his work with Currier and Ives, a prominent printmaking firm in the United States during the 19th century. Born in New York City in 1834, Worth began his career as an apprentice at the age of twelve at the National Academy of Design. However, it was his association with Currier and Ives that made him a notable figure in American art history.
Worth became one of the main artists for Currier and Ives, producing a vast number of lithographs that ranged from scenes of daily life to political cartoons. He worked for the company for over fifty years, from the 1850s until his death in 1917. His work was characterized by its humor and satirical edge, often depicting the social and political landscapes of his time with a sharp wit.
Perhaps one of Thomas Worth's most famous series of prints was 'Darktown Comics', which was a series of racially charged and often derogatory depictions of African Americans. While these prints were popular at the time, they are now viewed in a critical light due to their reinforcement of racist stereotypes.
Throughout his career, Worth also created prints that celebrated technological advancements, such as the rise of the bicycle and the excitement of horse racing. His ability to capture the essence of American culture and life made his works highly sought after during the 19th century and they continue to be studied and collected for their historical value.
Thomas Worth's contributions to American lithography and his role in popularizing the medium have made him a significant figure in the history of American art. He passed away in 1917, leaving behind a legacy that reflects both the artistic sensibilities of his era and the complex social dynamics that defined 19th-century America.