Sydney William Carline was a British artist and World War I aerial combatant whose work provides a unique perspective on the air battles of the Great War. Born on August 14, 1888, in London, into an artistic family, Sydney was the son of the artist George Francis Carline and Anne Smith. His siblings, Richard and Hilda, were also artists, and the family environment was rich in artistic influence and encouragement.
Carline initially studied at the Reigate School of Art before enrolling at the Slade School of Fine Art in London, where he honed his skills from 1907 to 1910. His early work was influenced by the Slade School's emphasis on drawing and the study of classical art. He exhibited with the New English Art Club and also taught at the Clapham School of Art.
With the outbreak of World War I, Carline served in the Royal Flying Corps (later the Royal Air Force), where he initially worked as a reconnaissance pilot and later as a fighter pilot. His experiences in the war deeply influenced his artistic work. After being appointed as an official war artist by the Imperial War Museum, Carline created a series of aerial combat paintings that captured the intensity and dynamism of dogfights and the haunting landscapes of war-torn Europe from an aerial perspective. These works are notable for their unique vantage point, with compositions that emphasize the vastness of the sky and the precariousness of the planes within it.
After the war, Carline continued to paint, draw, and teach. He traveled to the Middle East and painted scenes from countries such as Iraq and Palestine, further broadening the geographical scope of his work. Besides his artistic pursuits, he taught at the Ruskin School of Drawing and Fine Art in Oxford.
Sydney Carline's life and career were unfortunately cut short when he died from pneumonia on February 14, 1929, in London. His death at the age of 40 meant that his promising career was never fully realized. Despite his early death, Carline left behind a body of work that remains significant for its representation of aerial warfare and its contribution to the visual legacy of World War I. His paintings are held in several public collections, including the Imperial War Museum, Tate Britain, and the National Gallery of Canada.