Sisto Badalocchio Rosa, born in 1585 in Parma, Italy, was an Italian painter and engraver of the Mannerist school. He is best known for his collaboration with Annibale Carracci on the frescoes of the Galleria in the Palazzo Farnese in Rome. These works are considered among the most significant of the early Baroque period.
Badalocchio was initially trained by his father, who was a painter himself. Later, he became a pupil of Annibale Carracci, one of the most influential artists of his time, in whose workshop he honed his skills. During his early years, he was profoundly influenced by Carracci's style and the burgeoning Baroque sensibility.
The period between 1600 and 1607 was crucial for Badalocchio, as he was actively involved in the decoration of the Palazzo Farnese under the guidance of Carracci. His contributions there allowed him to develop a reputation as a competent fresco painter. In addition to his work on frescoes, he was also adept at oil painting and engraving.
Following his work in Rome, Badalocchio returned to Parma, where he continued to paint and engrave. Despite his skills and early promise, his career did not flourish as much as some of his contemporaries. As a result, there is limited information about his activities after his return to Parma. He produced a series of engravings depicting scenes from the Bible, known as the 'Raphael Bible', after the designs of Raphael's tapestries for the Sistine Chapel. These engravings were instrumental in spreading the compositions of Raphael to a wider audience in Europe.
Badalocchio's death is somewhat of a mystery, with some sources suggesting he died around 1620. Despite his relatively short life and the paucity of information on his later years, his work remains an important link between the Renaissance and Baroque periods in Italian art, reflecting the transition in style and technique that occurred at the turn of the 17th century. His contributions to the Palazzo Farnese and his engravings ensure his place in the annals of Italian art history.