Sir John Everett Millais Paintings

Sir John Everett Millais was a prominent English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood, a group of artists that rejected the mechanistic approach to art that dominated the early Victorian period. Born on June 8, 1829, in Southampton, Millais was a child prodigy; he became the youngest student to enter the Royal Academy Schools at the age of 11. His early works were characterized by their luminous color, attention to detail, and complex compositions, which were inspired by the art of the early Italian Renaissance and the works of Shakespeare and other literary figures.

Millais's 1851 painting 'Ophelia' is among his most famous works and exemplifies the Pre-Raphaelite ideal of detailed, naturalistic imagery. Alongside fellow artists Dante Gabriel Rossetti and William Holman Hunt, Millais sought to convey moral and spiritual truths through his art, often using symbolism and mythological subjects. However, his style evolved over time, and by the late 1850s, he began to adopt a looser brushwork and a brighter palette, moving towards what would become known as Aestheticism.

Millais was also a successful portrait painter and became popular among the British aristocracy. His portrait of Ruskin in 1853–54 is one of his most famous, though his relationship with the critic's wife, Effie Gray, led to one of the most notorious scandals of the Victorian art world. Effie annulled her marriage with Ruskin and later married Millais, causing a significant public outcry.

Throughout his career, Millais was recognized for his artistic contributions. He was made a baronet by Queen Victoria in 1885, becoming the first artist to be honored with a hereditary title. He was also elected as the president of the Royal Academy in 1896, but his tenure was cut short due to his death from throat cancer later that year on August 13, 1896. Despite the controversies and the shifts in his artistic approach, Millais's legacy endures as a pioneer of the Pre-Raphaelite movement and as a major figure in 19th-century British art.