Vincenzo dal Re, also known as Vincenzo da Reggio, was an Italian painter and architect, primarily known for his contributions during the Renaissance period. Born in 1459 in Correggio, a small town in the province of Reggio Emilia, he is not to be confused with the more famous painter Antonio Allegri da Correggio, who was also from the same town and was his contemporary.
Vincenzo's work is less documented than that of other Renaissance masters, and as such, his biography is somewhat obscure. What is known is derived from a few surviving works and mentions by other artists or in records of the time. His artistic style was influenced by the prevailing trends of the Italian Renaissance, characterized by a focus on classical humanism, balanced compositions, and a nuanced use of color and perspective to create depth and realism.
Dal Re's career as an architect also demonstrates the Renaissance ideal of the 'uomo universale' or 'universal man', who was skilled in multiple disciplines. His architectural style would have been in line with the principles of symmetry, proportion, and geometry that were celebrated during the period. However, specific buildings attributed to him have not been clearly identified, and much of his architectural legacy, if any remains, is likely integrated into the broader fabric of Italian Renaissance architecture without clear attribution.
Vincenzo dal Re passed away in 1534. His legacy is eclipsed by the many renowned artists of the time, such as Leonardo da Vinci, Michelangelo, and Raphael. As a result, his contributions have not been studied as extensively, and much of his life and work remain shrouded in the mists of history. However, he remains a figure of interest for those studying the lesser-known artists of the Renaissance and the local histories of the towns and regions of Italy.