Pieter Gerritsz. van Roestraeten was a Dutch Golden Age painter born in 1630 in Haarlem, Netherlands. He is renowned for his still life paintings, particularly those depicting luxurious objects such as silverware, glassware, and musical instruments, often arranged with a keen eye for composition and detail. Van Roestraeten's works are characterized by their intricate play of light and shadow and their meticulous depiction of textures and surfaces.
Initially trained in Haarlem, van Roestraeten became a student and later a son-in-law of the famous still life painter Pieter Claesz. Under Claesz's tutelage, van Roestraeten honed his skills and developed his own distinctive style. His early works reflect the monochromatic 'ontbijtjes' or breakfast pieces of his father-in-law, but over time, Roestraeten's palette brightened, and his subject matter grew more elaborate.
In 1666, van Roestraeten moved to London, England, possibly due to economic difficulties in the Netherlands or the allure of the English art market. In London, he found a new audience for his work and became associated with the court of King Charles II. His paintings during this period often featured opulent objects, which reflected the tastes of his wealthy patrons and the burgeoning English interest in still life paintings.
Van Roestraeten's work was well received in England, and he continued to paint until his death in 1700. While his name may not be as widely recognized as some of his contemporaries, his contribution to the still life genre is significant. Roestraeten's paintings can be found in various art collections and museums, offering a glimpse into the lavish lifestyles and artistic preoccupations of the 17th century.