Peter (Peter Candid) Witte Paintings

Peter Witte, also known as Peter Candid, was a Flemish-born painter, tapestry designer, and draughtsman who became a significant figure in the Northern Mannerism movement during the late Renaissance. Born in Bruges in 1547, he was the son of the painter Eloi Witte. As a young artist, Peter Witte likely began his artistic training with his father before moving to Italy to further his studies.

In Italy, Witte was influenced by the work of Italian Renaissance masters, and his style evolved to incorporate the characteristics of the Italian Mannerist aesthetic. He became particularly known for his frescoes and altarpieces. In 1573, he moved to Munich, where he spent a significant portion of his career. In Munich, he worked for the Bavarian dukes, including Duke William V and his son Maximilian I, who were great patrons of the arts.

Witte's work in Munich included the decoration of the Residenz and the design of numerous tapestries for the ducal court. His frescoes can be seen in various locations, such as the Antiquarium of the Munich Residenz, where his work contributes to one of the largest and most significant Renaissance hall decorations north of the Alps. Peter Candid also produced a substantial body of religious paintings, portraits, and drawings throughout his career.

Despite his Flemish origins, Witte became one of the principal artists of the Munich court and was instrumental in bringing the Italianate High Renaissance and Mannerist styles to Southern Germany. He was also active in other regions, including Florence and Innsbruck, which furthered the dissemination of his style.

Peter Candid's influence was felt not only in the aesthetic realm but also in the formation of a network of artists in the region. He established a large workshop that trained and influenced many artists, and his legacy can be seen in the subsequent generations of painters who followed his stylistic path.

Peter Candid died in Munich in 1628, leaving behind a rich legacy of artistic contributions that reflected the merging of Northern European and Italian Renaissance art. His work continues to be studied and appreciated for its historical significance and artistic merit.