Max Berthelin, born in 1822, is a somewhat obscure figure in the annals of art history, and as such, there is limited information available about his life and works. The lack of comprehensive records about Berthelin's death suggests that he might not have achieved widespread fame during his lifetime or that historical documentation about him is scarce. Despite this, based on his birth year, one can infer that his artistic career would have likely taken place during the mid to late 19th century, a period characterized by significant transitions in the art world, with movements such as Romanticism giving way to Realism and the early beginnings of Impressionism.
Berthelin's artistic style, influences, and contributions to the art world are not well-documented, and thus, it is challenging to place him within the broader context of art history. He may have been a painter, printmaker, or involved in other art forms common for the era, such as sculpture or decorative arts. Given the period he lived in, it is possible that his works were influenced by the major artistic movements of the time or by the artistic milieu in his locale.
Unfortunately, without more specific details about his artworks, exhibitions, or critical reception, it is difficult to provide a comprehensive biography of Max Berthelin. Art historians might come across references to him in archives, sale catalogs, or perhaps in the provenance of particular artworks that are attributed to him. In the absence of substantial information, the legacy of an artist like Berthelin remains enigmatic, highlighting the challenges of art historical scholarship, especially when it comes to less-known figures.
In summary, while Max Berthelin was indeed an artist from the 19th century, the lack of substantial records about his life and works means that he remains an elusive figure in art history. Further research would be required to uncover more details about his career and to provide a fuller understanding of his contributions to the arts.