Marie Suzanne Giroust Roslin, born on March 9, 1734, in Paris, France, was an accomplished 18th-century French portrait painter. Despite the social constraints of her time, which often limited women's access to artistic training and professional opportunities, Giroust managed to carve out a significant career in the arts.
Giroust was the daughter of a jeweler and wax artist at the court of Louis XV. She lost both her parents at a young age, which led to her being raised by relatives. She showed an early interest in painting and was fortunate to become a pupil of the successful Swedish portraitist Alexander Roslin in 1752. Under Roslin's tutelage, she honed her skills and developed a significant talent for capturing the subtleties of expression and character in her portraits, which became highly sought after.
Marie Suzanne Giroust married Alexander Roslin in 1759, and together they became a prominent artist couple in Parisian society. Her portraits were particularly admired for their sensitivity, fine detail, and the rich texture of her depictions of fabrics and jewels, reflecting her background in her family's trade.
Despite her achievements, Giroust faced challenges due to her gender. Female artists were not allowed the same professional rights as their male counterparts; for instance, they could not become full members of the Academy. Nonetheless, Giroust was accepted as a member of the Académie de Saint-Luc, a more inclusive alternative to the prestigious Royal Academy of Painting and Sculpture.
Marie Suzanne Giroust Roslin's life was cut short by breast cancer, and she died on August 31, 1772, at the age of 38. Her legacy was somewhat overshadowed by her husband's fame, but in recent years, her work has been reevaluated, and she has been recognized as a significant figure in 18th-century French art. Her portraits remain a testament to her skill and a window into the sophistication of pre-revolutionary French society.