Maria Schalcken was born in 1645 in Made, a town in the Dutch Republic. She was part of the Schalcken family, a lineage that boasted significant contributions to the Dutch Golden Age of painting. Her brother, Godfried Schalcken, is far more renowned, celebrated for his meticulous and atmospheric candlelit scenes. Despite the overshadowing fame of her brother, Maria carved out her own niche in the art world, primarily focusing on genre paintings, a style depicting scenes from everyday life with an emphasis on domestic interiors, a popular theme in Dutch Golden Age art.
Maria Schalcken's training and early career are somewhat shrouded in mystery, largely due to the scant documentation on women artists of the time. It is presumed that she received her initial artistic education from her father, Cornelis Schalcken, who was also a painter, before possibly apprenticing under her brother, Godfried. This familial apprenticeship was common in the era, as women were often excluded from formal art academies and guilds.
Her oeuvre is limited and less documented compared to her male counterparts, a common plight for female artists of the period. However, some of her works have been identified, demonstrating a keen eye for detail and a gentle touch with both brush and palette. Her style echoes the fine qualities of her brother's work, focusing on the interplay of light and shadow, though her subjects were more intimate and less grandiose.
The exact date of Maria Schalcken's death remains unknown, as does much of her life after the few documented works attributed to her. The lack of records is a poignant reminder of the difficulties faced by women in the arts during the 17th century, where their contributions were often overlooked or attributed to male relatives or tutors. Despite these challenges, Maria Schalcken's surviving works serve as a testament to her skill and a glimpse into the life of a woman artist navigating the Dutch Golden Age of painting.