Marcus Gheeraerts the Younger was a Flemish artist who worked mainly in England in the late Elizabethan and early Stuart periods. Born in Bruges in around 1561/62, Gheeraerts was the son of Marcus Gheeraerts the Elder, who was also a painter. His family moved to England in 1568 to avoid religious persecution in the Spanish Netherlands during the reign of the Catholic King Philip II. They were part of the wave of Protestant refugees who came to England at that time.
In England, Gheeraerts the Younger became known for his portrait work and his contributions to the development of the Elizabethan and Jacobean court styles. He is particularly noted for his innovative approach to portraiture, which included full-length, highly detailed, and elaborately costumed depictions of his subjects. His style was characterized by a nuanced approach to capturing his sitters' personalities and a particular talent for rendering textiles and clothing.
One of his most famous works is the 'Ditchley Portrait' of Queen Elizabeth I, painted in 1592, which shows the queen standing on a map of England. This portrait is celebrated for its symbolic content and its representation of the queen at the height of her power. It exemplifies the allegorical style that was popular during this period and is a testament to Gheeraerts's skill in blending portraiture with iconography.
Gheeraerts also contributed to the popularization of the masque, a form of festive courtly entertainment that combined poetry, music, dance, and elaborate sets and costumes. He designed costumes and sets for various masques, which were influential in the courtly circles.
Despite his impact on English art, Marcus Gheeraerts the Younger's later years and his death in 1636 are not as well documented as his earlier life. He was buried at St Mary's Church, Cheltenham in Gloucestershire. His legacy continued through his influence on English portrait painting, and his works can be found in various art collections, including the National Portrait Gallery in London and the Tate Britain.