Mabel Pryde was a notable Scottish artist, known for her distinct post-impressionist paintings, born in 1882 in Edinburgh. Pryde's early life was marked by a vibrant artistic environment. Her father, David Pryde, was a headmaster who encouraged her creative pursuits. Her mother, Amelia Susan nee Megson, also supported her artistic endeavors. Pryde's interest in the arts was fostered from a young age, and she pursued her passion by studying at the Herkomer Art School in Bushey, Hertfordshire, in the late 1890s. It was here that she met her future husband, James Pryde, who was also an artist and together they became known for their contributions to British art.
Mabel Pryde's artistic career was intertwined with her domestic life. She married James Pryde in 1893, and the couple had two children, including their son Ben Nicholson, who would become a prominent abstract painter. Despite the challenges of balancing her roles as an artist and a mother, Pryde managed to produce a body of work that was well-received by her contemporaries. Her paintings often depicted domestic scenes, portraits, and still lifes, characterized by a warm palette and a sensitive rendering of light and shadow, showing the influence of post-impressionism.
Tragically, Mabel Pryde's life and career were cut short by the 1918 influenza pandemic. She succumbed to the illness at the age of 36, leaving behind a legacy that would influence future generations, including her own children. After her death, her husband and children continued to honor her memory and her contributions to the world of art. Mabel Pryde's work is considered significant in the context of early 20th-century British art, and her paintings are appreciated for their intimate and evocative portrayal of Edwardian life.