Lodovico Pozzoserrato, who was also known by the Flemish name Lodewijk Toeput, was an Italian painter of the late Renaissance period. Born in 1550 in Antwerp, which was then part of the Spanish Netherlands, Pozzoserrato moved to Italy to pursue his artistic career, a common practice among Northern European artists seeking the rich artistic environment of the Italian peninsula.
After arriving in Italy, Pozzoserrato settled in Treviso, a town near Venice. Here, he became influenced by the Venetian school of painting, particularly by the works of Paolo Veronese and Jacopo Tintoretto. His style is characterized by the use of bright colors, attention to detail, and often pastoral or mythological themes, typical of the late Mannerist period, which favored complex compositions and artificial elegance.
Pozzoserrato was quite successful in Treviso, receiving numerous commissions for altarpieces, frescoes, and other works from local churches and patrons. He was particularly renowned for his fresco cycles. One of his most significant contributions to the art world was his series of frescoes in the Villa Zeno near Castelfranco. These works display his ability to blend Northern European landscape elements with the grandeur and drama of Venetian High Renaissance and Mannerist painting.
Despite his success, Pozzoserrato remains a relatively obscure figure in the history of art, often overshadowed by his contemporaries in Venice. Nevertheless, his work provides an important link between the Northern European painting tradition and the Venetian style that dominated the late Renaissance period.
Lodovico Pozzoserrato passed away in 1605 in Treviso. His paintings, while not as widely recognized as those of the greatest masters of his time, still offer valuable insights into the cultural and artistic exchanges between Italy and the Low Countries during the late 16th and early 17th centuries.