Lilian May Miller was an American painter and woodblock print artist who was born on July 20, 1895, in Tokyo, Japan, to American parents. Her father was an educational advisor for the Japanese government, which allowed Miller to grow up immersed in both Japanese culture and the expatriate community. This bicultural upbringing significantly influenced her artistic style and subjects throughout her career.
Educated at the Peeresses' School in Tokyo and later at Vassar College in the United States, Miller was proficient in multiple languages, including Japanese and Chinese. After completing her education at Vassar, she returned to Japan and dedicated herself to studying art. She trained under Japanese printmakers and painters, learning traditional techniques such as woodblock printing (ukiyo-e) and brush painting. Miller's work often featured landscapes, scenes of daily life in Korea and Japan, as well as images of flowers and birds, combining a unique blend of East Asian and Western art methods and aesthetics.
Miller's work was widely exhibited during her lifetime, both in Asia and the United States. She gained prominence not only for her art but also for her role as a cultural bridge between East and West during a period of increasing international tensions. Her artwork was characterized by its bold lines, vibrant colors, and a style that straddled the traditional and the modern. Lilian May Miller was also an accomplished writer and lecturer, often speaking about the art and culture of East Asia to Western audiences.
Sadly, Miller's promising career was cut short by illness, and she died on January 11, 1943, in Pennsylvania, USA, at the age of 47. Despite her early death, she left behind a significant body of work that continues to be appreciated for its cross-cultural aesthetic and historical value. Her prints and paintings remain a testament to her skill and her unique perspective as an artist caught between two worlds.