John Linnell Paintings

John Linnell was an English painter, engraver, and draftsman who is best known for his landscapes and portrait work. Born on June 16, 1792, in Bloomsbury, London, Linnell was a significant figure in the English Romantic movement and a contemporary of John Constable and William Turner, although he did not achieve the same level of fame during his lifetime.

Linnell showed artistic talent at an early age and was apprenticed to the engraver William Bond. He later enrolled at the Royal Academy Schools in 1805, where he began to establish himself as a skilled painter and engraver. Linnell was a close associate of William Blake, whom he helped financially in his later years and commissioned to create a series of illustrations.

Throughout his career, Linnell focused on landscape painting, developing a style that was characteristically detailed with a keen observation of nature. Unlike some of his contemporaries, he preferred working directly from nature rather than composing scenes in his studio. His works include a wide range of natural settings, from serene pastoral landscapes to dramatic moorland scenes.

Aside from landscapes, Linnell was also a sought-after portraitist. He painted portraits of many notable figures of his time, including naturalist Charles Darwin and poet Samuel Taylor Coleridge. In these portraits, he managed to capture the character and personality of his subjects with a high degree of realism.

Linnell's work was well-received during his lifetime, and he was able to amass considerable wealth from his art. He invested in property and was able to provide for his large family comfortably. His sons, including James Thomas Linnell and William Linnell, also became artists.

Despite his success, Linnell never became a member of the Royal Academy, possibly due to his strong independent streak and disagreements with the institution's practices. He continued to paint until his death on January 20, 1882, leaving behind a vast and varied body of work that has since gained wider recognition and appreciation for its contribution to English landscape painting.