Jacopo Amigoni, also known as Giacomo Amigoni, was an influential Italian painter of the late Baroque or Rococo period. Born in 1682 in Naples or possibly Venice, Amigoni's exact birthplace remains a subject of some debate among art historians. However, his artistic journey is well-documented, showcasing a career that spanned across Italy, England, Germany, and Spain, reflecting the international appeal of his work.
Amigoni initially made a name for himself in Venice, where his talent for painting both religious subjects and mythological scenes was quickly recognized. His work was characterized by a soft, elegant style, with a particular focus on vibrant color palettes and the delicate rendering of figures. This made him a favorite among the Venetian nobility, for whom he produced numerous works.
In the 1720s, Amigoni's reputation extended beyond Italy, leading him to work in several European courts. By 1729, he found himself in England, where he became popular among the British nobility for his portraits and grand history paintings. Notably, he formed a close association with the famed mezzo-soprano Farinelli and painted several portraits of the singer, which remain among his best-known works.
After his successful stint in England, Amigoni moved to the Electorate of Bavaria in the 1730s, where he worked for Charles Albert, Elector of Bavaria. His work from this period includes large-scale religious paintings and frescoes that adorn some of the region's most significant buildings.
In the latter part of his life, Amigoni settled in Madrid, Spain, where he served as a court painter to Ferdinand VI. His work in Spain marks a continuation of his earlier themes, with a focus on religious and mythological subjects. Amigoni's influence extended beyond his lifetime, with his style impacting the development of Rococo art in Spain.
Jacopo Amigoni died in 1752 in Madrid, leaving behind a legacy as one of the era's most versatile and internationally recognized painters. His works are celebrated for their beauty, refinement, and the skillful incorporation of Rococo sensibilities, making him a pivotal figure in the transition from Baroque to Rococo art.