Jacob Jordaens was a prominent Flemish painter born on 19 May 1593 in Antwerp, then part of the Spanish Netherlands. He is considered one of the three most renowned early Flemish Baroque painters, alongside Peter Paul Rubens and Anthony van Dyck. Jordaens is known for his historical paintings, portraiture, genre scenes, and allegories. His style is characterized by vigorous composition, robust figures, and a vivid use of color, which became one of his trademarks.
Jordaens received his artistic training from Adam van Noort, who was also Rubens' teacher. Unlike his contemporary van Dyck, Jordaens did not pursue a career in England or Italy, which were major centers for artistic work at the time. Instead, he spent the majority of his career in Antwerp and inherited a considerable portion of Rubens' clientele after the latter's death in 1640.
His works were influenced by Rubens in terms of their dynamism and color palette, but Jordaens developed a distinctive style that favored a more earthy and realistic representation of figures and settings. He also often depicted scenes from daily life, making his work accessible and popular among the middle class. Some of his notable works include 'The Adoration of the Shepherds', 'The Bean King', and 'As the Old Sang, So the Young Pipe'.
Even after the Calvinist revolution in Antwerp, Jordaens, who was raised Catholic, managed to find patronage and continued to receive commissions. He adapted to changing tastes and religious contexts, which allowed him to maintain a successful career throughout his life. He also produced tapestry designs and was a fine draftsman.
Jordaens died on 18 October 1678 in Antwerp. His legacy is preserved in numerous collections around the world, including the Royal Museum of Fine Arts in Antwerp, the Hermitage Museum in Saint Petersburg, and the Prado Museum in Madrid. Jordaens was not only a prolific artist but also an important figure in the transition between the High Baroque and the more decorative and theatrical Rococo style that followed.