Israhel van Meckenem the Elder, often simply known as Israhel van Meckenem, was a German printmaker and engraver who was active during the late 15th century, a period that saw the rise of printmaking as an influential art form in Europe. Born around 1440-1445 in Meckenheim, near Bonn, he later moved to Bocholt, where he spent most of his life and work. His exact birth date is not recorded, but scholars have approximated it based on his earliest known activities as an artist.
Israhel van Meckenem was married to Ida, who was also involved in his printmaking business, and they were among the first artist couples known to have collaborated in this way. After his death in 1503, Ida continued the printmaking workshop, suggesting that she played a significant role in the production of his prints.
Van Meckenem was highly prolific, with an oeuvre that includes over 600 engravings, making him one of the most productive engravers of his time. His work spans a variety of subjects, including religious themes, portraits, and scenes of everyday life. He was known for his fine and detailed style, as well as for his ability to create complex compositions. Van Meckenem was a contemporary of the Master E.S. and Martin Schongauer, who were also prominent engravers of the period.
Although he primarily worked with engravings, van Meckenem was also known to have produced designs for stained glass windows and other decorative objects, indicating his versatility as an artist. His prints were widely disseminated and influenced other artists both during his lifetime and posthumously.
Israhel van Meckenem's legacy is significant in the history of printmaking. He was not only a master of his craft but also played a key role in the development of the printmaking technique known as burin engraving. His works provide a valuable insight into the social, religious, and cultural milieu of the late Gothic period in Northern Europe.