Utagawa Hiroshige, also known as Ando Hiroshige, was a prominent Japanese ukiyo-e artist, considered one of the last great masters of this traditional woodblock printing technique. Born in Edo (present-day Tokyo), Hiroshige's talent for drawing became evident at an early age. Initially, he worked as a fire warden, a position inherited from his samurai-class family, which also provided him with exposure to the landscapes and city scenes that would later dominate his artwork.
Hiroshige's career as an artist began in earnest when he was accepted as a pupil of Utagawa Toyohiro, a well-known ukiyo-e master. Under Toyohiro's guidance, Hiroshige honed his skills and began to produce his own works. His early pieces included typical subjects of the ukiyo-e genre, such as beautiful women (bijin-ga) and actors (yakusha-e), but he gradually shifted his focus to landscapes and scenes of everyday life in and around Edo.
Hiroshige's reputation was firmly established with the series 'The Fifty-three Stations of the Tokaido' (1833-1834), which depicted the stations along the Tokaido road, the major travel and trade route between Edo and Kyoto. This series showcased Hiroshige's talent for capturing the interplay of human activity, nature, and the changing seasons. His use of perspective and innovative compositions influenced not only Japanese art but also Western artists, particularly the Impressionists.
Over his career, Hiroshige produced more than 8,000 prints, including several well-known series such as 'One Hundred Famous Views of Edo' and 'The Sixty-nine Stations of the Kisokaido'. His work is characterized by a poetic and somewhat melancholic interpretation of the landscape, often emphasizing the beauty of rain, snow, and mist. Hiroshige continued to work until his death, which occurred during the great Edo cholera outbreak of 1858. His legacy lives on, and his prints remain highly sought after by collectors and art enthusiasts around the world.