Henry Tanworth Wells Paintings

Henry Tanworth Wells was a prominent English painter during the Victorian era, notable for his portraits and subject paintings. Born on December 14, 1828, in London, Wells showed an early interest in art, which led him to pursue formal training. He began his studies at the age of 15 under the tutelage of the artist James Mathews Leigh at the Leigh's art school in London.

Wells was particularly influenced by the Pre-Raphaelite Brotherhood, a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti. Though not a member, Wells' work often reflected the Pre-Raphaelite style, emphasizing abundant detail, intense colors, and complex compositions.

Throughout his career, Wells exhibited his works regularly at the Royal Academy and the British Institution. His reputation was further solidified when he became an associate of the Royal Academy in 1866 and a full member in 1870. Wells was also a member of the St John's Wood Clique, a group of artists known for their genre scenes and association with the Royal Academy.

Wells’ portraits often depicted the upper echelons of Victorian society, including aristocrats and prominent public figures. One of his most well-known works is the portrait of the young Princess Victoria, later known as Queen Victoria, which showcases his meticulous approach to capturing his subject's character and status.

In addition to his painting career, Wells served as the President of the Royal Society of Portrait Painters from 1890 to 1893. He also made significant contributions to the art community through his teaching, influencing a new generation of artists.

Henry Tanworth Wells married the designer and artist Joanna Boyce, who was also his collaborator and a significant figure in her own right. Their partnership was both personal and professional, with Boyce often contributing to Wells' work.

Wells continued to paint until his later years, leaving behind a legacy of work that provides insight into Victorian society and its cultural milieu. He passed away on January 16, 1903, in London. His works remain in various art collections, including those of major museums, and continue to be studied and appreciated for their historical significance and artistic merit.