Gennaro Grecco, also known as Mascacotta, was an Italian sculptor of the Baroque period, born in 1663 in Naples. The nickname 'Mascacotta,' which translates to 'cooked dough,' was likely a reference to his work with terracotta or perhaps an allusion to his adeptness at molding his materials as if they were as malleable as dough. His actual life details are somewhat obscure, and he is less well-known today than many of his contemporaries. However, he was part of the vibrant artistic scene in Naples, which was one of the most important centers for the arts in Europe during the 17th and early 18th centuries.
Grecco’s artistic career unfolded during a time when Naples was under the rule of the Spanish Habsburgs, and the city became a melting pot of artistic ideas due to the influence of Roman, Florentine, and other European artists. Gennaro Grecco worked primarily in terracotta, a medium appreciated for its versatility and suitability for intricate detail. His works often displayed a strong sense of movement and emotional expressiveness, characteristics typical of the Baroque style, which emphasized dramatic tension and grandeur.
While specific works by Grecco are not widely documented, it is known that he contributed to the ornamentation and religious iconography of several Neapolitan churches. His sculptures would have been part of larger ensembles, including altarpieces, statues, and architectural decorations, contributing to the rich visual narrative within these sacred spaces. Grecco's work would have been seen by a broad audience and played a role in both public and private devotion.
Grecco died in 1714, leaving behind a modest but meaningful body of work that reflects the dynamic artistry of Baroque Naples. Although his name does not resonate with the same fame as Bernini or other Baroque masters, Gennaro Grecco's contributions to the arts during his time were significant within his regional context. Today, scholars of Italian Baroque art continue to study artists like Grecco to gain a fuller understanding of the period's artistic diversity and regional variations.