Gabriello di Vanti di Bartolo, better known as Attavante degli Attavanti, was a prominent Italian illuminator during the Renaissance period. Born around 1452 in Florence, his work is renowned for its vibrant colors, exquisite detail, and the incorporation of gold leaf, which was a hallmark of luxury in manuscript illumination at that time.
Attavante specialized in decorating liturgical books and his style was characterized by its intricate ornamental designs and the use of a rich palette that included deep blues, reds, and greens. He often worked for high-profile clients, including popes and royalty, which attests to the prestige his work garnered during his lifetime.
Attavante's career flourished in the late 15th and early 16th centuries, a time when Florence was a hub of artistic innovation and when illuminated manuscripts were highly prized before the advent of the printing press. His work reflects the transition from the Gothic style of the Middle Ages to the more naturalistic approach of the Renaissance. He was particularly adept at incorporating architectural and perspective elements into his illuminations, which added depth and realism to his scenes.
Although the exact date of his death is not known, Attavante degli Attavanti is believed to have died around 1525. By then, he had established a workshop that was not only a center of production for illuminated manuscripts but also a place of training for future artists. His legacy lived on through his pupils and the continued influence of his style in the field of manuscript illumination. Today, his works are preserved in various libraries and collections around the world, treasured as examples of the pinnacle of Renaissance art in manuscript illumination.