Francesco Ubertini, better known as Bacchiacca II, was an Italian Renaissance painter born in 1399. He hailed from a family of artists; his father was a painter and his brother was the more famous Ubertini, Bachiacca (also known as Francesco d'Ubertino Verdi). However, Bacchiacca II should not be confused with his nephew, Francesco Ubertini the younger (1494-1557), who is often referred to as Il Bacchiacca and is more renowned for his contributions to the art world.
Bacchiacca II's work is less documented than that of his brother or his nephew, which makes detailed information about his life and career somewhat scarce. The artistic environment of Florence during the Early Renaissance, however, was one of vibrant competition and exchange of ideas, which likely influenced his work. He would have been a contemporary of other early Renaissance masters such as Masaccio, Fra Angelico, and Paolo Uccello.
Bacchiacca II's own style would have been rooted in the traditions of the late Gothic period, but also showing a growing awareness of the new Renaissance approach to art that emphasized realism, perspective, and human anatomy. His works may have included religious subjects, which were common at the time, depicting scenes from the Bible or the lives of saints.
Unfortunately, specific works attributed to Bacchiacca II have not survived or have been attributed to other artists, which is a common issue for lesser-known artists of this period. As a result, he remains a somewhat obscure figure in art history, overshadowed by the accomplishments of his family members and other towering figures of the Renaissance.
Bacchiacca II died in 1457. His contributions, though not as well recorded or celebrated as those of others in his family, are part of the rich tapestry of the Italian Renaissance and the cultural flourish of 15th-century Florence.