Edward Fisher was a British mezzotint engraver who worked during the 18th century. Born in 1730, Fisher is particularly noted for his portraits, which he engraved after the works of leading artists of his time, such as Joshua Reynolds and Thomas Gainsborough.
Fisher's early life and training are not well documented, but it is clear that by the 1750s, he had established himself as a talented engraver. He was active in London, where he produced prints that were highly regarded for their quality and craftsmanship. Fisher's engravings were often of high society figures, and his work reflects the growing interest in portraiture of the period.
One of Fisher's most famous engravings is the portrait of Samuel Johnson, which was based on a painting by Sir Joshua Reynolds. This work exemplifies Fisher's skill in translating the subtleties of oil painting into the medium of mezzotint, capturing the depth and texture of Reynolds's original. Fisher's prints were sought after by collectors and the gentry, who desired to own and display images of notable figures and themselves.
Throughout his career, Fisher continued to refine his technique and enjoyed considerable success. However, unlike some of his contemporaries, he did not leave behind a significant school of followers or a large body of writings that would provide deeper insight into his artistic thoughts and methods. Edward Fisher died in 1785, leaving a legacy as one of the important mezzotint engravers of the 18th century. His works continue to be appreciated by art historians and collectors for their contribution to the art of printmaking and portraiture.