Douglas Fox-Pitt, born in 1864, was a British artist known for his contributions to the art of silhouettes. His work was part of a long-standing tradition in portraiture that focuses on the outline of a person's profile, an art form that has its roots in ancient times and gained popularity during the 18th and 19th centuries in Europe.
Fox-Pitt was not only an artist but also an innovator. He developed a machine known as the 'physionotrace,' which was an apparatus designed to help artists capture a person's profile more accurately. This invention reflects the period's fascination with science, technology, and their applications in the arts. His machine would trace the outline of a person's shadow, which was cast on a piece of paper by a light source.
Despite his technical contributions, there is limited information about his personal life and artistic career. Silhouette artistry, while popular in the past, does not always receive the same attention in historical records as other forms of visual art, such as painting or sculpture. As a result, Fox-Pitt's work is known primarily to a niche group of art historians and collectors who have a particular interest in this area.
Fox-Pitt lived through the turn of the century, a time of great change in the art world. The silhouette art form was becoming less popular as photography began to take its place as the preferred method for capturing likenesses. Nevertheless, his work remains an interesting footnote in the history of British art, illustrating the intersection between art and technology. Douglas Fox-Pitt passed away in 1922, but his contributions to the art of silhouettes remain part of the historical dialogue on portrait art.