Cimabue, born Giovanni Cimabue around 1240 in Florence, Italy, is often regarded as one of the last great Italian painters and mosaicists of the Byzantine tradition, and a pivotal figure in the early transition to the Renaissance. Not much is known about his life, and many details are derived from Giorgio Vasari's 'Lives of the Most Excellent Painters, Sculptors, and Architects'. According to Vasari, Cimabue was initially trained in the Byzantine art style, which was prevalent in Italy before the Renaissance. His innovative approach to this traditional style, however, is what distinguishes his work and marks him as a precursor to the Renaissance period.
Cimabue's contributions to art are significant in that he began to incorporate elements of realism and depth into his paintings, breaking away from the flat and stylized forms characteristic of Byzantine art. His figures began to display more emotion and were placed within more realistic settings, showing an understanding of perspective that would later be developed further by Renaissance artists. Among his most famous works are the 'Crucifix' for the Santa Croce in Florence, the 'Maestà' for the Church of San Francesco in Pisa, and frescoes in the Basilica of St. Francis of Assisi.
Despite his achievements, Cimabue's fame was eventually eclipsed by his pupil, Giotto, who is often credited with making more significant strides in the development of realism and the use of perspective in art. Nevertheless, Cimabue's work remains an essential link between the Byzantine tradition and the Renaissance. He passed away in 1302 and is remembered as a foundational figure in the evolution of Western art. His legacy is a testament to the transitional period of the late 13th century when the rigid and hierarchical structures of medieval art began to give way to the more naturalistic and human-centered approach of the Renaissance.