Carl Rohl-Smith Paintings


Carl Rohl-Smith was a notable 19th-century Danish-American sculptor born on March 3, 1848, in Roskilde, Denmark. He demonstrated a talent for art from a young age and pursued his passion by studying at the Royal Danish Academy of Fine Arts in Copenhagen. His education there provided him with a strong foundation in classical sculpture techniques, which he would later apply and adapt throughout his career.

After completing his studies, Rohl-Smith gained recognition in Europe for his work, but it was in the United States where he would leave a lasting legacy. He immigrated to America in 1887, settling initially in Chicago. His move to the U.S. came at a time when there was a growing demand for monumental public sculptures, particularly in the wake of the Civil War as cities and institutions sought to commemorate the conflict and its figures.

Rohl-Smith's work in the United States included a variety of notable commissions. Perhaps his most famous piece is the equestrian statue of General Ulysses S. Grant, part of the Grant Memorial in front of the United States Capitol in Washington, D.C. He worked diligently on this project until his untimely death in 1900, and although he did not live to see its completion, his contributions significantly shaped the final result. Other works include a statue of General George H. Thomas and the Soldiers' and Sailors' Monument in Detroit.

Throughout his career, Rohl-Smith was praised for his ability to capture the human form, his attention to detail, and his skill in conveying emotion through bronze and stone. His sculptures are characterized by their dynamic compositions and the impressive way they often manage to convey a sense of movement and vitality, which was particularly well-suited to the heroic and commemorative nature of many of his public monuments.

Carl Rohl-Smith passed away on August 20, 1900, in Frederiksberg, Denmark. Despite his relatively brief career in the United States, his artistic contributions had a significant impact on American public art, and his works continue to be admired for their craftsmanship and historical significance.