Bernard Van Orley was a prominent and influential Flemish Renaissance painter, draughtsman, and tapestry designer. Born around 1488 in Brussels, which was then part of the Habsburg Netherlands, Van Orley came from a family of artists; his father, Valentin Van Orley, was a painter and his mother was also connected to the arts. He likely trained with his father before possibly spending time in the workshop of Raphael in Italy, although this is not documented and remains speculative.
Van Orley emerged as a leading artist in Brussels by the second decade of the 16th century and was appointed as court painter to Margaret of Austria, regent of the Netherlands, in 1515. Later, he served under her successors, Charles V and Mary of Hungary. Van Orley's style reflects the influence of the Italian Renaissance, particularly the works of Raphael and Leonardo da Vinci, combined with the detailed realism characteristic of Northern Renaissance art.
Throughout his career, Van Orley worked on various religious and secular commissions, including altarpieces, portraits, and designs for stained glass windows. However, one of his most notable contributions to the art world was in the design of tapestries, which were highly prized luxury items at the time. His tapestry designs were innovative and he played a significant role in establishing Brussels as the center of European tapestry production.
Van Orley's works are characterized by their intricate detail, vivid color, and complex compositions. Some of his most famous works include the 'Job Altarpiece' and the 'Life of the Virgin' series. He also produced a series of tapestries called 'The Hunts of Maximilian', which are considered masterpieces of the medium.
Bernard Van Orley remained a central figure in the Brussels art scene throughout his career. He trained many apprentices and had a considerable influence on the next generation of artists in the region. Van Orley died in Brussels in 1541, leaving behind a legacy that solidifies his place as one of the leading Flemish artists of the 16th century.