Antonio Joli was an Italian painter of vedute and capricci, hailing from Modena, Italy. He was born in 1700 into an era that was characterized by a growing appreciation for the picturesque and the development of vedute, which are detailed, usually large-scale paintings of cityscapes and landscapes. Joli initially trained in his hometown but later moved to Rome where he became influenced by the work of Giovanni Paolo Panini, a prominent veduta painter of the time.
In the 1730s, Joli began to work in Venice, another city famous for its picturesque scenery and one that would greatly influence his artistic style. Here, he painted views of the city that were notable for their accurate depiction and atmospheric quality. His work captured the unique light and architecture of Venice, making his paintings popular among collectors and the nobility who desired to have artistic renditions of the city's famous sights.
Joli's career took him across Europe; he worked in Dresden, London, and Madrid, among other cities. In London, he was involved in decorating the theatres, including the King's Theatre Haymarket, and he became noted for his stage designs as well as his panoramic views. His work in Madrid was under the patronage of King Ferdinand VI of Spain, and he produced views of the royal residences.
Throughout his career, Joli also painted capricci, which are imaginative compositions that typically combine architectural elements in fictional or fantasy settings. These works reflected his ability to invent and embellish, adding a whimsical quality to his repertoire.
Antonio Joli died in 1777 in Naples, where he had spent the latter part of his career. His works continue to be appreciated for their contribution to the veduta genre and their enchanting representation of 18th-century European cityscapes and landscapes. Joli's paintings are held in numerous public and private collections around the world, and they offer a window into the grandeur and beauty of the past.