Antonio Carnicero was a prominent Spanish painter and illustrator of the late 18th and early 19th centuries, known for his neoclassical style and his association with Enlightenment ideals. Born on January 10, 1748, in Salamanca, Spain, he was the son of Alejandro Carnicero, a sculptor, which provided him with an artistic environment from an early age.
Carnicero initially trained under his father and later moved to Madrid to further his studies. He attended the Royal Academy of Fine Arts of San Fernando, where he honed his skills and developed a keen eye for classical form and composition. His talent was recognized early on, and he received several scholarships, which allowed him to study in Rome, a center of neoclassical art and thought.
During his career, Carnicero became known for his historical scenes, religious paintings, and portraits. He was particularly adept at capturing the likeness and character of his subjects in his portraits. His works often reflected the Enlightenment's emphasis on reason, clarity, and order, and he was influenced by the works of other neoclassical artists such as Anton Raphael Mengs and Jacques-Louis David.
One of Antonio Carnicero's most notable contributions was as an illustrator for the edition of Miguel de Cervantes' 'Don Quixote,' published by the Spanish Royal Academy in 1780. His illustrations for 'Don Quixote' are still celebrated for their vivid portrayal of the novel's characters and settings.
Carnicero also worked on tapestry designs for the Royal Tapestry Factory and created various altarpieces and religious works, which were well-received during his time. Despite his successes, Carnicero faced financial difficulties throughout his life, which were compounded by the political upheavals of the Napoleonic Wars.
Antonio Carnicero's artistic legacy is significant, and his work is an important part of the Spanish neoclassical movement. He passed away on August 21, 1814, in Madrid. Today, his paintings can be found in major museums and collections, illustrating the enduring appeal of his classical style and his contributions to Spanish art.