Ambrogio da Fossano, also known as Il Bergognone or Ambrogio Bergognone, was an Italian painter of the Renaissance period, active primarily in Milan. He was born around 1453 in Fossano, a small town in the region of Piedmont, which is likely the reason behind his nickname 'Bergognone', meaning 'of Fossano'. Despite the fact that he is often associated with Lombard painting, his exact origins and training are not thoroughly documented, which is a common issue for many artists of that era.
Bergognone's work is characterized by its serene and devotional quality, with a particular emphasis on clarity, simplicity, and a subdued, yet refined color palette. He is known to have been influenced by the works of Vincenzo Foppa and Leonardo da Vinci, as well as by the Northern European painting tradition, which is evident in his detailed landscapes and use of atmospheric perspective.
Throughout his career, Bergognone was mainly active in Milan and its surrounding areas. He received numerous commissions for altarpieces and frescoes from various religious institutions. One of his most significant contributions to the Renaissance in Lombardy is the extensive work he did for the Certosa di Pavia, a monastery complex located near Milan. There, he painted a series of frescoes and altarpieces that showcased both his technical skill and his ability to convey a deep sense of spirituality.
Another noteworthy aspect of Bergognone's work is his contribution to the decoration of the Santa Maria delle Grazie in Milan, where he painted frescoes in the chapel. This church is also famous for housing Leonardo da Vinci's 'The Last Supper.'
Bergognone's death is believed to have occurred around 1523, though the exact date is uncertain. His legacy is that of a painter who, despite not achieving the renown of some of his contemporaries, left a distinct mark on the art of the Lombard region through his pious and harmonious compositions. His artworks continue to be appreciated for their serene beauty and are studied for their contribution to the Lombard Renaissance.