Albert Glibert Paintings


Albert Gilbert, more commonly known as Sir Alfred Gilbert, was a distinguished English sculptor and goldsmith, recognized for his significant contribution to the New Sculpture movement of the late 19th century. Born in London on August 12, 1854, he was a pivotal figure in the transition from the neoclassical style that defined the early 19th century to a more dynamic and expressive form of sculpture.

Gilbert was educated at the Royal Academy Schools, where he developed his formidable skills. He further honed his craft during extensive travels in Italy and France, where he was exposed to the work of Renaissance masters and contemporary sculptors alike. His work is characterized by its elegance, intricate detail, and the use of a wide variety of materials including bronze, marble, and precious metals.

Perhaps his most famous work is the Shaftesbury Memorial Fountain, also known as 'Eros', located in London's Piccadilly Circus. Unveiled in 1893, it was groundbreaking for its use of aluminum, a metal which was, at the time, a novel material for sculpture. This iconic public artwork exemplifies Gilbert's innovative approach to sculpture and his ability to capture movement and emotion.

Gilbert's career was marked by both acclaim and controversy, and he was known for his tempestuous personality and financial imprudence. Despite his successes, he faced financial difficulties and professional challenges, which at times overshadowed his artistic achievements. He was knighted in 1902 for his contributions to the arts but lived abroad in Bruges, Belgium, for several years to escape his creditors.

Sir Alfred Gilbert's later works continued to demonstrate his artistic talent, though they never eclipsed the fame of his earlier masterpieces. He returned to England in 1926 and continued to work until his death on November 4, 1934. His legacy is preserved in his innovative approach to materials and techniques, his influence on the New Sculpture movement, and his masterful works that continue to be admired by critics and the public alike.