Double portrait of Elizabeth of York and Henry VII holding the white rose of York and the red rose of Lancaster from Memoirs of the Court of Queen Elizabeth

Discover the allure of art with our faithful reproduction of "Double portrait of Elizabeth of York and Henry VII holding the white rose of York and the red rose of Lancaster from Memoirs of the Court of Queen Elizabeth", originally brought to life by the talented Sarah Countess of Essex. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Sarah Countess of Essex and his artistic vision.

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"Double Portrait of Elizabeth of York and Henry VII Holding the White Rose of York and the Red Rose of Lancaster" is an illustrative work that is often associated with the book "Memoirs of the Court of Queen Elizabeth" by Sarah Countess of Essex, also known as Lucy Aikin after her marriage. The portrait is significant as it symbolizes the union of the Houses of York and Lancaster, which was a pivotal moment in English history, marking the end of the Wars of the Roses and the beginning of the Tudor dynasty.

The double portrait is believed to depict Elizabeth of York, the daughter of King Edward IV and queen consort of King Henry VII, alongside her husband, Henry VII, the first Tudor monarch. In the image, the couple is typically shown holding the symbolic roses of their respective houses: the white rose representing the House of York and the red rose representing the House of Lancaster. This visual representation not only reflects the political and dynastic union achieved through their marriage but also serves as an emblem of the peace that followed decades of civil strife.

While the portrait is often mentioned in the context of Lucy Aikin's historical work, it is important to note that Aikin's "Memoirs of the Court of Queen Elizabeth" was published in the 19th century, and the portrait in question would predate the book by several centuries, being contemporaneous with the reign of Elizabeth of York and Henry VII in the late 15th and early 16th centuries. The association with Aikin's book may be due to the inclusion of such historical illustrations in later editions or reprints of her work, which was common practice to enhance the appeal and educational value of historical texts during that period.

The double portrait is a valuable piece of historical iconography as it not only captures the likenesses of these significant monarchs but also conveys the narrative of national unity and the foundation of a new era in English monarchy. As with many works of art from this period, the provenance, artist, and original context of the portrait may be subject to scholarly research and debate, and the portrait's existence and relevance should be considered within the broader scope of Tudor historical studies and art history.

When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.

We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.