Portrait of a woman, probably Zenobia, Queen of Palmyra
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About Reproduction
Discover the allure of art with our faithful reproduction of "Portrait of a woman, probably Zenobia, Queen of Palmyra", originally brought to life by the talented Michele di Ridolfo del Ghirlandaio (see Tosini). Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Michele di Ridolfo del Ghirlandaio (see Tosini) and his artistic vision.
Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.
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Painting Description
"Portrait of a Woman, Probably Zenobia, Queen of Palmyra" is a Renaissance painting attributed to Michele Tosini, also known as Michele di Ridolfo del Ghirlandaio. Tosini was an Italian painter of the Florentine school who was a pupil of Ridolfo Ghirlandaio and later came to be influenced by the work of Fra Bartolommeo. The painting is believed to date from the 16th century, a period marked by the flourishing of portrait art in Florence under the influence of artists such as Agnolo Bronzino and Andrea del Sarto.
The subject of the painting, tentatively identified as Zenobia, was a third-century queen of the Palmyrene Empire in Syria, renowned for her beauty, intelligence, and independent rule before her eventual defeat by the Roman Emperor Aurelian. The identification of the woman in the portrait as Zenobia is not definitive, and the title reflects a tradition of associating the sitter with the historical figure, which was a common practice in Renaissance portraiture to evoke certain qualities or virtues.
The portrait is executed in oil on panel, a medium that allowed for the meticulous rendering of detail and the rich, luminous quality characteristic of Tosini's work. The sitter is depicted with an elegant poise, wearing a sumptuous dress and jewelry that reflect her presumed status. Her gaze is direct and contemplative, suggesting an inner strength and intellect.
The work is notable for its refined use of color and the detailed depiction of textiles and ornaments, which showcase Tosini's skill in portraying the textures and materials of the sitter's attire. The background of the painting is typically muted, focusing the viewer's attention on the figure herself.
"Portrait of a Woman, Probably Zenobia, Queen of Palmyra" is an important example of Florentine portraiture and provides insight into the cultural and artistic interests of the Renaissance period. The painting contributes to the broader narrative of female representation in art history and reflects the era's fascination with classical antiquity and historical figures.
As of the knowledge cutoff date, the painting's current location, provenance, and scholarly interpretation may require further research to provide a complete understanding of its historical and artistic context. The attribution to Michele Tosini and the identification of the sitter as Zenobia are based on stylistic analysis and historical references, and may be subject to revision by future scholarship.
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Lead Time & Shipping
When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.
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Return & Refund
We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.