Tokyo Ryogoku Hyapponkui Akatsuki No Zu

Discover the allure of art with our faithful reproduction of "Tokyo Ryogoku Hyapponkui Akatsuki No Zu", originally brought to life by the talented Kobayashi Kiyochika. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Kobayashi Kiyochika and his artistic vision.

Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.

"Tokyo Ryogoku Hyapponkui Akatsuki No Zu" (東京両国百本杭暁ノ図) is a woodblock print created by the Japanese artist Kobayashi Kiyochika (1847–1915), who is renowned for his depictions of Tokyo and its transformation during the Meiji period. The title of the work translates to "One Hundred Stakes at Dawn in Ryogoku, Tokyo," and it captures a serene, atmospheric scene of the Sumida River at dawn, with the wooden stakes, or pilings, protruding from the water—a common sight in the Ryogoku district, which was known for its bustling river traffic and entertainment culture.

Kobayashi Kiyochika is often credited with introducing the effects of light and shadow influenced by Western art into the traditional Japanese woodblock print, or ukiyo-e, and this piece is a testament to his innovative approach. The print is characterized by its subtle gradations of color and the use of silhouettes, which convey the early morning light and the tranquility of the waterfront. The composition reflects a blend of Japanese artistic tradition and the influence of Western realism, which Kiyochika encountered during the years he spent working at a British trading firm.

"Tokyo Ryogoku Hyapponkui Akatsuki No Zu" is part of Kiyochika's broader body of work that documents the rapid modernization of Tokyo in the late 19th century. His prints serve as a visual record of the city's changing landscape and the societal shifts that occurred during this transformative era in Japan's history. This particular print not only offers a glimpse into the daily life and environment of the Meiji-era Tokyoites but also exemplifies Kiyochika's artistic legacy as a bridge between traditional Japanese printmaking and the influx of Western artistic techniques.

As with many ukiyo-e prints of the period, "Tokyo Ryogoku Hyapponkui Akatsuki No Zu" would have been produced through a collaborative process involving the artist, the woodblock carver, the printer, and the publisher. The print is valued for both its artistic merit and its historical significance, contributing to the understanding of Meiji-era culture and the evolution of Japanese art. It remains an important work within the oeuvre of Kobayashi Kiyochika and is of interest to collectors, scholars, and enthusiasts of Japanese woodblock prints.

When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.

We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.