Leaving Off Powder, Or A Frugal Family Saving A Guinea

Discover the allure of art with our faithful reproduction of "Leaving Off Powder, Or A Frugal Family Saving A Guinea", originally brought to life by the talented James Gillray. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to James Gillray and his artistic vision.

Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.

"Leaving Off Powder, Or A Frugal Family Saving A Guinea" is a satirical print by the renowned British caricaturist James Gillray, created in the late 18th century. The work is a commentary on the societal and economic conditions of the time, particularly focusing on the efforts of the middle and upper classes to economize during a period of financial strain. Gillray, known for his sharp wit and keen observation, uses this piece to poke fun at the pretensions of those who, despite their frugality in some areas, still maintain a degree of vanity and social pretense.

The print depicts a domestic scene where a family is gathered around, engaging in the act of removing their hair powder—a luxury item taxed by William Pitt the Younger's government in 1795 as a means to raise revenue during the French Revolutionary Wars. This tax made hair powder a symbol of wealth and status, and Gillray's work humorously captures the shift in social habits as people sought to avoid the tax, thus 'saving a guinea'.

Gillray's artistry in "Leaving Off Powder, Or A Frugal Family Saving A Guinea" is evident in the detailed expressions and body language of the characters, as well as the intricate domestic setting. The print serves as a historical document, reflecting the changing fashions and the impact of political decisions on everyday life. It also exemplifies Gillray's ability to blend social critique with entertainment, a hallmark of his extensive body of work.

As with many of Gillray's prints, this work was published by Hannah Humphrey, with whom Gillray had a long-standing professional relationship. The print remains an important example of Georgian-era satire and is studied for its artistic merit, historical significance, and insight into the social mores of the time. It is held in various collections, including the British Museum, and continues to be a subject of interest for scholars of art history and social history.

When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.

We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.