Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from Venationes Ferarum, Avium, Piscium Of Hunting Wild Beasts, Birds, Fish engraved by Jan Collaert 1566-1628 published by Phillipus Gallaeus of Amsterdam Oil Painting by Giovanni Stradano

Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from Venationes Ferarum, Avium, Piscium Of Hunting Wild Beasts, Birds, Fish engraved by Jan Collaert 1566-1628 published by Phillipus Gallaeus of Amsterdam

Giovanni StradanoItem # 274422
Museum Quality Hand Painted Oil Reproduction

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Size:
21 X 16 in
9 Frame Options:
Unframed
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Painting Size: 12" x 16"
21" x 16"
26" x 20"
31" x 24"
36" x 28"
41" x 32"
47" x 36"
52" x 40"
Frame: Unframed - Rolled in a tube
Unframed
GA1326
GA1306
GA1315
GA1510
GA1503
GA1505
GA1307
GA1506
GA1509
GA1323
GA1313
GA1508
GA1330
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Finished Size: 30" x 34"
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  • About Reproduction

    Discover the allure of art with our faithful reproduction of "Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from Venationes Ferarum, Avium, Piscium Of Hunting Wild Beasts, Birds, Fish engraved by Jan Collaert 1566-1628 published by Phillipus Gallaeus of Amsterdam", originally brought to life by the talented Giovanni Stradano. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Giovanni Stradano and his artistic vision.

    Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.

  • Painting Description

    "Catching Serpents in India Using Clubs and Torches to Light the Undergrowth" is a notable engraving that serves as plate 44 within the series "Venationes Ferarum, Avium, Piscium, Pugnae Bestiariorum & mutuae Bestiarum," commonly referred to in English as "Of Hunting Wild Beasts, Birds, Fish." This work is part of a larger collection that vividly depicts various hunting scenes from around the world. The engraving was executed by Jan Collaert II (1566–1628), a prominent Flemish engraver of the late 16th and early 17th centuries, and was published by Phillipus Galle (or Philips Galle), a well-known publisher from Amsterdam.

    The series itself was designed by Giovanni Stradano (also known as Jan van der Straet), an Italian artist of Flemish descent who was active during the Renaissance period. Stradano's designs were influential in disseminating exotic and often fantastical images of the New World and distant lands to a European audience that was eager for information about these far-off places.

    "Catching Serpents in India Using Clubs and Torches to Light the Undergrowth" illustrates an exotic and dangerous serpent hunt, a subject that would have been both fascinating and terrifying to a European audience during this era. The scene is dramatic, featuring hunters armed with clubs and torches navigating the dense undergrowth of an Indian landscape to capture serpents. The use of light and shadow in the engraving emphasizes the perilous nature of the hunt and the bravery (or foolhardiness) of the hunters engaged in such an activity.

    This particular plate, along with the rest of the series, is significant for its contribution to the iconography of the age of exploration and the European imagination of distant lands and their inhabitants. It reflects the curiosity, fears, and fascination with the "other" that were prevalent during the period of European expansion.

    The engraving is not only a work of art but also a historical document that offers insight into the European perception of the world beyond its borders during the late Renaissance. It is a testament to the blend of artistic skill and the hunger for knowledge that characterized the era's approach to encounters with unfamiliar cultures and species.

  • Lead Time & Shipping

    When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.

  • Return & Refund

    We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.

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100% hand-painted

100% hand-painted

Each and every piece of our artwork is entirely hand-painted by artists with over a decade of experience. Every painting is infused with a unique personality and an unrivaled value, showcasing art in its rawest and most authentic form just for you.

Museum quality

Museum quality

We adhere to museum-level standards in our creation. Each piece of work is reproduced using techniques as close as possible to the original, coupled with the finest paints and canvases, making the color, structure, and texture of every replica as similar as possible to the original.

Top-level materials

Top-level materials

We insist on choosing the best quality paints and canvases from around the world. These selected materials not only offer unparalleled color saturation and durability, but also ensure that the reproductions can withstand the test of time. Only the finest materials can replicate the most authentic artworks possible.

Online proofing

Online proofing

We offer online proofing services, allowing you to be hands-on with every step of the artistic journey. You can personally review and suggest tweaks, and we'll meticulously fine-tune every detail until it aligns with your vision to the tee.

Frequently asked questions

  • How similar are your oil painting reproductions to the original artworks?

    We pride ourselves on achieving a high level of accuracy in our reproductions. While it's nearly impossible to replicate an artwork 100%, our skilled artists ensure that our reproductions capture the essence, texture, and colors of the original as closely as possible.
  • Can I customize a specific artwork that's not in your catalog?

    Absolutely! We offer custom painting services. If there's a specific artwork or portrait you'd like, simply provide us with the details or an image, and our artists will recreate it for you.
  • If I want to modify certain parts of an existing artwork (like colors or size), is it possible?

    Yes, we offer modification services. Just let us know your preferences, and our artists will make the necessary adjustments to meet your requirements.
  • How should I display my oil painting reproduction to achieve the best effect?

    For the best visual impact, hang your painting at eye level in a well-lit area, preferably with indirect natural light or soft artificial lighting. Avoid direct sunlight and high humidity areas to protect the artwork.
  • Can I see a draft of the artwork before it's finished?

    Yes, we offer online proofing services. Once the initial draft is ready, we'll send you a preview. You can provide feedback, and our artists will make adjustments accordingly.
  • How do I clean and maintain my oil painting reproduction?

    Gently dust the painting with a soft brush or lint-free cloth. Avoid using chemicals or water. If the painting requires deeper cleaning, consult a professional.