Ulisse Porta In Salvo Il Padre Anchise Ed Il Figlio Telemaco Da Troia In Fiamme
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About Reproduction
Discover the allure of art with our faithful reproduction of "Ulisse Porta In Salvo Il Padre Anchise Ed Il Figlio Telemaco Da Troia In Fiamme", originally brought to life by the talented Francois de Nome (Monsu, Desiderio). Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Francois de Nome (Monsu, Desiderio) and his artistic vision.
Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.
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Painting Description
"Ulisse Porta In Salvo Il Padre Anchise Ed Il Figlio Telemaco Da Troia In Fiamme" is a painting by the French Baroque artist François de Nomé, also known as Monsù Desiderio. This work of art, whose title translates to "Ulysses Saves His Father Anchises and Son Telemachus from the Flames of Troy," is a dramatic and imaginative interpretation of a scene from classical mythology. The painting is believed to date from the early 17th century, a period when de Nomé was active in creating his distinctive architectural fantasies and ruin landscapes.
François de Nomé, born in 1593 in Metz, France, moved to Italy and became known for his intricate and fantastical depictions of ruins and biblical scenes set amidst grand, often crumbling architectural structures. His works are characterized by a masterful use of perspective, a keen eye for detail, and a penchant for the dramatic interplay of light and shadow.
In "Ulisse Porta In Salvo Il Padre Anchise Ed Il Figlio Telemaco Da Troia In Fiamme," de Nomé combines his architectural prowess with a narrative from the epic tradition. The painting likely draws inspiration from the Aeneid by Virgil, where the Trojan hero Aeneas carries his father Anchises on his back from the burning city of Troy. However, de Nomé introduces a twist to the classical tale by replacing Aeneas with another mythological hero, Ulysses (Odysseus), and including his son Telemachus in the scene. This anachronistic blend of characters from different myths is not uncommon in artistic representations of the period and reflects the creative liberties artists often took with their subjects.
The artwork is notable for its dramatic composition, with the central figures of Ulysses, Anchises, and Telemachus juxtaposed against the backdrop of a city engulfed in flames. The use of chiaroscuro, the contrast between light and dark, heightens the emotional intensity of the scene and showcases de Nomé's skill in creating a sense of depth and volume.
While the exact location and ownership of "Ulisse Porta In Salvo Il Padre Anchise Ed Il Figlio Telemaco Da Troia In Fiamme" may not be well-documented, the painting is an important example of François de Nomé's contribution to Baroque art and his unique approach to blending architectural elements with mythological narratives. The work reflects the broader cultural and artistic interests of the Baroque era, where artists sought to evoke emotion, movement, and drama through their creations.
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Lead Time & Shipping
When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.
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Return & Refund
We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.