





The Damned in Hell, from the Coronation of the Virgin, completed 1454
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About Reproduction
Add classic artistic charm to your space with a hand-painted reproduction of The Damned in Hell, from the Coronation of the Virgin, completed 1454 by Enguerrand Quarton. Unlike mass-produced posters or prints, this oil painting reproduction is brought to life by skilled artists who meticulously recreate every brushstroke, texture, and color from the original masterpiece. The result is a visually stunning artwork that adds depth, character, and authenticity to any room.
Owning this Enguerrand Quarton replica is more than just decorating your wall — it's a reflection of your appreciation for fine craftsmanship and timeless beauty. Whether displayed in your living room, study, hallway, or office, this piece enriches your space with elegance and visual harmony.
Let The Damned in Hell, from the Coronation of the Virgin, completed 1454 transform your home into a place where classic art and personal style meet. Experience the emotional impact and visual warmth that only hand-painted oil art can provide.
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Painting Description
"The Damned in Hell" is a striking and evocative segment of the larger altarpiece known as the "Coronation of the Virgin," completed in 1454 by the French painter Enguerrand Quarton. Quarton, also known as Charonton, was a prominent figure in the early Renaissance period, particularly noted for his contributions to religious art in the region of Provence. The "Coronation of the Virgin" is one of his most celebrated works, commissioned by Jean de Montagny for the Carthusian monastery of Villeneuve-lès-Avignon.
The altarpiece is a complex and richly detailed composition that illustrates the coronation of the Virgin Mary in heaven, surrounded by an array of saints and angels. However, it is the lower register of the painting that captures the viewer's attention with its vivid depiction of the damned souls suffering in Hell. This section, known as "The Damned in Hell," serves as a stark contrast to the celestial glory above, emphasizing the dichotomy between salvation and damnation, a common theme in medieval Christian art.
Quarton’s portrayal of Hell is both imaginative and terrifying, filled with grotesque figures and scenes of torment. The damned are shown in various states of agony, their contorted bodies and anguished expressions conveying a powerful sense of despair. Demonic creatures, rendered with meticulous detail, are seen inflicting punishment on the souls, adding to the overall atmosphere of horror and suffering. The use of color and light in this section is particularly noteworthy; Quarton employs a darker palette to enhance the sense of gloom and hopelessness, in stark contrast to the radiant and serene depiction of heaven above.
"The Damned in Hell" not only reflects the theological beliefs of the time but also showcases Quarton's skill in creating emotionally charged and visually compelling imagery. This segment of the altarpiece serves as a poignant reminder of the consequences of sin and the stark choices between salvation and damnation, themes that were central to the religious and cultural milieu of 15th-century Europe. Through this work, Quarton has left an indelible mark on the history of art, offering a glimpse into the medieval mindset and the artistic conventions of his era.
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Lead Time & Shipping
When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.
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Return & Refund
We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.