The Meet; Drawing Cover; Full Cry; And The Kill, A Set Of Four Paintings

Discover the allure of art with our faithful reproduction of "The Meet; Drawing Cover; Full Cry; And The Kill, A Set Of Four Paintings", originally brought to life by the talented Edward Benjamin Herberte. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Edward Benjamin Herberte and his artistic vision.

Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.

Edward Benjamin Herberte, a notable British artist of the 19th century, is renowned for his evocative and dynamic depictions of equestrian and hunting scenes. Among his celebrated works is the set of four paintings titled "The Meet; Drawing Cover; Full Cry; And The Kill." These paintings collectively capture the quintessential elements of a traditional fox hunt, a popular and culturally significant activity in Victorian England.

"The Meet" sets the stage for the hunt, portraying the gathering of riders, hounds, and spectators at the start of the event. Herberte's keen eye for detail is evident in the meticulous rendering of the horses, the attire of the participants, and the palpable sense of anticipation that pervades the scene. The composition reflects the social aspect of the hunt, emphasizing the camaraderie and the ceremonial aspects of this rural pastime.

"Drawing Cover" depicts the moment when the hounds are released to flush out the fox from its hiding place. Herberte captures the tension and excitement of this phase, with the hounds eagerly searching and the riders poised for action. The artist's use of light and shadow, along with his dynamic brushwork, conveys the urgency and movement inherent in this part of the hunt.

"Full Cry" is perhaps the most exhilarating of the quartet, illustrating the chase as the hounds pursue the fox at full speed. Herberte's composition is filled with energy, with the hounds in mid-stride and the riders in hot pursuit. The landscape blurs in the background, emphasizing the speed and intensity of the chase. This painting showcases Herberte's ability to capture motion and his deep understanding of the anatomy and behavior of both horses and hounds.

Finally, "The Kill" brings the narrative to its climax, depicting the moment the hounds catch the fox. The scene is charged with a mix of triumph and finality, as the riders gather around to witness the culmination of the hunt. Herberte's attention to detail and his ability to convey emotion through the expressions and postures of the figures make this a powerful conclusion to the series.

Together, these four paintings not only highlight Herberte's technical skill and artistic sensibility but also offer a vivid portrayal of a cultural tradition that was an integral part of rural British life. Through "The Meet; Drawing Cover; Full Cry; And The Kill," Herberte provides a window into the world of 19th-century fox hunting, capturing its excitement, social dynamics, and the intricate relationship between humans and animals.

When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.

We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.