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The Dead Sea looking towards Moab, April 4th 1839, plate 50 from Volume II of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1843
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About Reproduction
Discover the allure of art with our faithful reproduction of "The Dead Sea looking towards Moab, April 4th 1839, plate 50 from Volume II of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1843", originally brought to life by the talented David Roberts. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to David Roberts and his artistic vision.
Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.
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Painting Description
"The Dead Sea looking towards Moab, April 4th 1839, plate 50 from Volume II of The Holy Land" is an evocative and historically significant engraving by Louis Haghe, based on an original artwork by the renowned Scottish painter David Roberts. Published in 1843, this piece is part of Roberts' monumental work, "The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia," which is celebrated for its detailed and picturesque representation of the Middle East during the 19th century.
David Roberts, born in 1796, was a distinguished artist known for his architectural and topographical scenes. His journey to the Middle East in 1838-1839 provided the material for "The Holy Land," a series of lithographs that captured the landscapes, monuments, and daily life of the region with remarkable accuracy and artistic flair. Roberts' works were instrumental in shaping Western perceptions of the Middle East during the Victorian era.
Louis Haghe, a Belgian lithographer born in 1806, was a master of his craft and played a crucial role in translating Roberts' sketches into the detailed and atmospheric engravings that comprise "The Holy Land." Haghe's skillful use of light and shadow, combined with his meticulous attention to detail, brought Roberts' visions to life, making the series a significant achievement in the history of printmaking.
"The Dead Sea looking towards Moab" depicts a serene yet dramatic view of the Dead Sea, with the rugged mountains of Moab in the distance. The scene is characterized by its tranquil waters and the stark, barren landscape that surrounds the sea, evoking a sense of timelessness and desolation. This particular plate, like many others in the series, reflects Roberts' keen eye for composition and his ability to convey the grandeur and mystique of the Holy Land.
Published by F.G. Moon in London, "The Holy Land" was met with critical acclaim and remains a valuable historical document and a masterpiece of 19th-century art. The series not only provided a visual record of the Middle East but also contributed to the burgeoning interest in the region's history and culture among European audiences. Today, Roberts' and Haghe's works are highly regarded by historians, art collectors, and enthusiasts for their artistic merit and historical significance.
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Lead Time & Shipping
When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.
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Return & Refund
We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.