Temple on Gebel Garabe, called Surabit el Khadim, February 17th 1839, plate 119 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849 Oil Painting by David Roberts

Temple on Gebel Garabe, called Surabit el Khadim, February 17th 1839, plate 119 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849

David RobertsItem # 258505
Museum Quality Hand Painted Oil Reproduction

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Size:
22 X 16 in
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Painting Size: 12" x 16"
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Frame: Unframed - Rolled in a tube
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Finished Size: 30" x 34"
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  • About Reproduction

    Discover the allure of art with our faithful reproduction of "Temple on Gebel Garabe, called Surabit el Khadim, February 17th 1839, plate 119 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849", originally brought to life by the talented David Roberts. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to David Roberts and his artistic vision.

    Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.

  • Painting Description

    "Temple on Gebel Garabe, called Surabit el Khadim, February 17th 1839, plate 119 from Volume III of The Holy Land" is a notable lithograph by the Scottish artist David Roberts, with the engraving executed by the Belgian lithographer Louis Haghe. Published in 1849, this work is part of a larger collection of lithographs that were included in Roberts's seminal publication "The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia." The lithograph depicts the ancient temple ruins on Gebel Garabe, also known as Serabit el-Khadim, located in the southwestern part of the Sinai Peninsula in Egypt.

    David Roberts (1796–1864) was a distinguished landscape artist, renowned for his detailed sketches and paintings of the Near East and the Mediterranean region. His journey through these lands in the early 1830s resulted in a wealth of visual documentation of historical and biblical sites. The lithographs produced from his works were among the first to present the Western world with visual scenes from these remote locations, contributing significantly to the 19th-century Orientalism movement in European art.

    Louis Haghe (1806–1885) was a prominent lithographer and watercolorist, who collaborated with Roberts to bring his detailed drawings to a wider audience through the medium of lithography. Haghe's skill in capturing the nuances of Roberts's original works played a crucial role in the success of the published volumes.

    The image of the "Temple on Gebel Garabe" is particularly significant as it captures the remnants of an ancient Egyptian temple dedicated to the goddess Hathor, who was worshipped as the patroness of miners. The site, known for its turquoise mines, was an important location for the ancient Egyptians, and the temple served as a center for mining expeditions during the Middle and New Kingdom periods.

    Roberts's depiction of the temple is both artistically and historically valuable, providing insight into the state of the ruins as they stood in the 19th century. The lithograph is characterized by its attention to detail and the dramatic interplay of light and shadow, which was a hallmark of Roberts's artistic style. It serves as a testament to the enduring fascination with Egypt's ancient civilization and the broader allure of the Holy Land during the Victorian era.

    The lithograph "Temple on Gebel Garabe, called Surabit el Khadim, February 17th 1839, plate 119 from Volume III of The Holy Land" is not only an important work of art but also a document of historical and archaeological significance. It continues to be appreciated by art enthusiasts, historians, and scholars for its aesthetic beauty and as a record of the past.

  • Lead Time & Shipping

    When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.

  • Return & Refund

    We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.

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100% hand-painted

100% hand-painted

Each and every piece of our artwork is entirely hand-painted by artists with over a decade of experience. Every painting is infused with a unique personality and an unrivaled value, showcasing art in its rawest and most authentic form just for you.

Museum quality

Museum quality

We adhere to museum-level standards in our creation. Each piece of work is reproduced using techniques as close as possible to the original, coupled with the finest paints and canvases, making the color, structure, and texture of every replica as similar as possible to the original.

Top-level materials

Top-level materials

We insist on choosing the best quality paints and canvases from around the world. These selected materials not only offer unparalleled color saturation and durability, but also ensure that the reproductions can withstand the test of time. Only the finest materials can replicate the most authentic artworks possible.

Online proofing

Online proofing

We offer online proofing services, allowing you to be hands-on with every step of the artistic journey. You can personally review and suggest tweaks, and we'll meticulously fine-tune every detail until it aligns with your vision to the tee.

Frequently asked questions

  • How similar are your oil painting reproductions to the original artworks?

    We pride ourselves on achieving a high level of accuracy in our reproductions. While it's nearly impossible to replicate an artwork 100%, our skilled artists ensure that our reproductions capture the essence, texture, and colors of the original as closely as possible.
  • Can I customize a specific artwork that's not in your catalog?

    Absolutely! We offer custom painting services. If there's a specific artwork or portrait you'd like, simply provide us with the details or an image, and our artists will recreate it for you.
  • If I want to modify certain parts of an existing artwork (like colors or size), is it possible?

    Yes, we offer modification services. Just let us know your preferences, and our artists will make the necessary adjustments to meet your requirements.
  • How should I display my oil painting reproduction to achieve the best effect?

    For the best visual impact, hang your painting at eye level in a well-lit area, preferably with indirect natural light or soft artificial lighting. Avoid direct sunlight and high humidity areas to protect the artwork.
  • Can I see a draft of the artwork before it's finished?

    Yes, we offer online proofing services. Once the initial draft is ready, we'll send you a preview. You can provide feedback, and our artists will make adjustments accordingly.
  • How do I clean and maintain my oil painting reproduction?

    Gently dust the painting with a soft brush or lint-free cloth. Avoid using chemicals or water. If the painting requires deeper cleaning, consult a professional.