Jaffa, March 26th 1839, plate 62 from Volume II of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1843
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About Reproduction
Discover the allure of art with our faithful reproduction of "Jaffa, March 26th 1839, plate 62 from Volume II of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1843", originally brought to life by the talented David Roberts. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to David Roberts and his artistic vision.
Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.
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Painting Description
"Jaffa, March 26th 1839, plate 62 from Volume II of The Holy Land" is an evocative and historically significant engraving by Louis Haghe, based on an original artwork by the renowned Scottish painter David Roberts. Published in 1843, this piece is part of a larger collection titled "The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia," which is celebrated for its detailed and picturesque depictions of the Middle East during the 19th century.
David Roberts, born in 1796, was a distinguished artist known for his elaborate and accurate representations of architectural and historical sites. His journey to the Middle East in 1838-1839 provided the foundation for this extensive series of lithographs. Roberts' works were instrumental in shaping Western perceptions of the region during a time when travel to such distant lands was fraught with challenges and relatively rare.
Louis Haghe, a Belgian-born lithographer, was one of the most prominent engravers of his time. His collaboration with Roberts resulted in some of the most exquisite and detailed lithographs of the era. Haghe's skillful engraving techniques brought Roberts' original sketches to life, capturing the intricate details and vibrant atmosphere of the scenes depicted.
The engraving "Jaffa, March 26th 1839" specifically illustrates the ancient port city of Jaffa (modern-day Yafo, part of Tel Aviv, Israel). Jaffa is one of the oldest ports in the world, with a history that spans several millennia. The city has been a significant site for various civilizations, including the Egyptians, Phoenicians, Greeks, Romans, and Ottomans. Roberts' depiction of Jaffa captures its historical essence and architectural grandeur, providing a glimpse into the city's past.
This particular plate, like others in the series, was published by F.G. Moon in London. The publication of "The Holy Land" was a monumental project that required substantial financial investment and logistical coordination. The series was released in multiple volumes and became highly sought after by collectors and scholars alike.
"Jaffa, March 26th 1839" stands as a testament to the collaborative genius of Roberts and Haghe, offering a window into the rich cultural and historical tapestry of the Middle East. The engraving not only serves as an artistic masterpiece but also as an invaluable historical document, preserving the visual heritage of a region that has been a crossroads of civilizations for centuries.
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Lead Time & Shipping
When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.
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Return & Refund
We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.