The Hottentot Venus Bushman woman
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About Reproduction
Discover the allure of art with our faithful reproduction of "The Hottentot Venus Bushman woman", originally brought to life by the talented Carel Christian Anthony Last. Unlike posters or prints, our hand-painted oil painting breathes an unique sense of depth and texture into your space. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Carel Christian Anthony Last and his artistic vision.
Owning this piece is more than just decoration - it's a statement of your refined taste in art. Let the vibrant colors and intricate details of this replica serve as a daily reminder of the beauty in our world. Elevate your decor and appreciate the richness of art with our replica of this masterpiece.
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Painting Description
"The Hottentot Venus Bushman Woman" is a lithograph by the Dutch artist Carel Christiaan Antony Last (1808–1876), created in the 19th century. The artwork is part of a genre of ethnographic imagery that was prevalent during the era of European colonial expansion, which often exoticized and objectified non-European peoples for Western audiences. The term "Hottentot Venus" was infamously applied to Saartjie Baartman, a Khoikhoi woman who was exhibited in freak shows in 19th-century Europe under the name "Hottentot Venus" due to her physical features, particularly her steatopygia, which were exoticized and hypersexualized by Europeans.
Carel Last's lithograph is indicative of the period's fascination with "otherness" and the ways in which art contributed to the construction of racial stereotypes. The depiction of the "Bushman woman" reflects the pseudo-scientific racial theories and voyeuristic tendencies of the time, which sought to categorize and display human diversity in a manner that often dehumanized the subjects. The image would have been consumed within the context of a European audience that was largely ignorant of the cultures and lives of the people being represented.
The work is significant for its historical context and as an example of the visual culture that perpetuated colonial attitudes. It serves as a reminder of the exploitative practices of the past and the role that art played in shaping perceptions of race and identity. The lithograph is also a testament to the life of Saartjie Baartman and the enduring legacy of her exploitation, which continues to be the subject of scholarly and public debate regarding colonial history, racism, and the ethics of representation.
As an artwork, "The Hottentot Venus Bushman Woman" by Carel Last would be analyzed not only for its aesthetic qualities but also for its cultural and ethical implications. It would be of interest to historians, art historians, and scholars of postcolonial studies, as well as to a broader audience concerned with the intersections of art, history, and social justice.
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Lead Time & Shipping
When you order this oil painting replica, it typically takes 2-3 weeks to paint. If the artwork is more complex, it might need a little more time to ensure the best quality. Once it's ready, we'll send you a photo for your approval. After you give the green light, we'll ship it to you for free.
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Return & Refund
We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. If for any reason, you are not completely satisfied with your purchase, we offer a 45-day return policy. You can return your artwork within 45 days of receipt and receive a full refund. Please note that the artwork must be returned in the original packaging and in the same condition as it was received.